Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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unknow artist
landscape
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ID: 72620

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unknow artist landscape


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  Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 591 | Kriget | Paul | Classical hunting fox, Equestrian and Beautiful Horses, 021. | Classical hunting fox, Equestrian and Beautiful Horses, 211. |
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Markus Pernhart
Markus Pernhart (1824-1871)
Hugh Carroll Frazer
(February 22, 1891 - July 9, 1975) was born in the Martinsburg, West Virginia. He graduated from the United States Naval Academy in 1912. He received the Medal of Honor for actions at the United States occupation of Veracruz, 1914. Frazer was a World War I veteran.
ZUCCARO Taddeo
Italian Mannerist Painter, 1529-1566 Painter and draughtsman. Taught to draw by his father, at the age of 14 he went alone to Rome where, according to Vasari, he was employed in various workshops and studied independently, particularly the works of Raphael. Through assisting Daniele de Porri (1500-77), who had trained in Parma, he learnt of the work of Correggio and Parmigianino. He first became known for his paintings on fa?ades, notably scenes from the Story of Furius Camillus on the palazzo of a Roman nobleman Jacopo Matteo, executed in 1548. Vasari claimed that Taddeo's fa?ade decorations equalled those of Polidoro da Caravaggio; none survives, although some are documented in drawings (e.g. London, BM; Paris, Louvre) and show his assimilation of Polidoro's style. Taddeo's earliest extant works date from 1553 when he collaborated with Prospero Fontana on the decoration (part destr.) of the villa of Pope Julius III outside the Porta del Popolo in Rome; Taddeo's contributions included scenes of The Seasons in the loggia of the nymphaeum. In these, clarity of form and space, natural proportions and idealization of human form demonstrate his affinity with the classicism of the High Renaissance. He also assimilated the sculptural sensibility of Mannerism, derived from Michelangelo.






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